Just Mercy Full Movie directors Destin Daniel Cretton HD Drama
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Destin Daniel Cretton. Just Mercy is a movie starring Jamie Foxx, Charlie Pye Jr., and Michael Harding. World-renowned civil rights defense attorney Bryan Stevenson works to free a wrongly condemned death row prisoner. genres: Drama. writers: Destin Daniel Cretton. Cast: Michael Harding. 2 H, 17 Min.
Jimmy had to read the Higgins text because he'd risk breaking other celebrities' trust if he didn't. The interviewer is asking these questions because he wants the viewers to fell the same pain. Hes giving you depth of this man. Watch just mercy full movie. Just mercy full movie stream. Just Mercy Full movie page imdb. Just Mercy Theatrical release poster Directed by Destin Daniel Cretton Produced by Gil Netter Asher Goldstein Michael B. Jordan Screenplay by Destin Daniel Cretton Andrew Lanham Based on Just Mercy: A Story of Justice and Redemption (2014) by Bryan Stevenson Starring Jamie Foxx Rob Morgan Tim Blake Nelson Rafe Spall Brie Larson Music by Joel P. West Cinematography Brett Pawlak Edited by Nat Sanders Production company Endeavor Content One Community Participant Media Macro Media Gil Netter Productions Outlier Society Distributed by Warner Bros. Pictures Release date September 6, 2019 ( TIFF) December 25, 2019 (United States) Running time 136 minutes [1] Country United States Language English Budget $25 million [2] [3] Box office $48. 8 million [4] Just Mercy is a 2019 American legal drama film directed by Destin Daniel Cretton, and starring Michael B. Jordan, Jamie Foxx, Rob Morgan, Tim Blake Nelson, Rafe Spall, and Brie Larson. It tells the true story of Walter McMillian, who, with the help of young defense attorney Bryan Stevenson, appeals his murder conviction. The film is based on the memoir of the same name, written by Stevenson. [5] Just Mercy had its world premiere at the Toronto International Film Festival on September 6, 2019, and was theatrically released by Warner Bros. Pictures on December 25, 2019. The film received positive reviews from critics, and Foxx received a nomination for Outstanding Performance by a Male Actor in a Supporting Role at the 26th Screen Actors Guild Awards. Plot [ edit] In 1989, idealistic young Harvard law graduate Bryan Stevenson travels to Alabama hoping to help fight for poor people who cannot afford proper legal representation. He meets with Eva Ansley and founds the Equal Justice Initiative, then travels to a prison to meet its death row inmates. He meets Walter "Johnny D. " McMillian, an African-American man who was convicted of the 1986 murder of Ronda Morrison, a white woman. Stevenson looks over the evidence in the case and discovers it hinges entirely on the testimony of convicted felon Ralph Myers, who provided highly self-contradictory testimony in exchange for a lighter sentence in his own pending trial. Stevenson's first move is to ask prosecutor Tommy Chapman for aid; Chapman dismisses him without even looking at Stevenson's notes. Stevenson then asks McMillian family friend Darnell Houston to testify that he was with a witness who corroborated Myers' testimony the day of the murder, which would cause the prosecution's case to fall apart. When Stevenson submits Houston's testimony, police arrest him for perjury. While Stevenson is able to get the perjury charges dismissed, Houston is intimidated into refusing to testify in court. Stevenson then approaches Myers himself, who eventually admits that his testimony was coerced after police played to his fear of being burned and threatened to have him executed by electric chair. Stevenson appeals to the local court to grant McMillan a retrial. and successfully convinces Myers to recant his testimony on the stand, but the judge nevertheless refuses to grant a retrial. Distraught, Stevenson vents his frustrations about the case to Ansley. He appears on 60 Minutes to rally public support in favor of McMillan, then appeals to the Supreme Court of Alabama. The Supreme Court overturns the circuit court's decision, and grants McMillan his retrial. Stevenson then motions to have the charges dismissed entirely. He confronts Chapman at his home and tries to convince him to join him in his motion; Chapman angrily ejects him from his property. The day of the motion comes, and Stevenson appeals to the judge. Chapman agrees to join him in his motion, the case is dismissed, and McMillan is finally reunited with his family. An epilogue notes that Stevenson and Ansley continue to fight for justice to the present day. Until his death in 2013, McMillan remained friends with Stevenson. A follow-up investigation into Morrison's death confirmed McMillan's innocence and posited that a white man was likely responsible; the case has never been solved. Cast [ edit] Production [ edit] Development on the film began in 2015, when Broad Green Pictures hired Destin Daniel Cretton to direct, with Michael B. Jordan set to star. [6] In December 2017, Warner Bros. acquired the distribution rights for the film, after Broad Green Pictures had entered bankruptcy. [7] In July 2018, Jamie Foxx was set to co-star, [8] and in August 2018, Brie Larson, O'Shea Jackson Jr. and Tim Blake Nelson also joined the cast, with filming starting in Montgomery, Alabama, by August 30. [9] [10] [11] [12] In October 2018, actors Dominic Bogart, Hayes Mercure and Karan Kendrick were added as well. [13] [14] Release [ edit] The film had its world premiere at the Toronto International Film Festival on September 6, 2019. [15] It received an awards qualifying limited release on December 25, 2019. [16] Originally set to expand to a wide release on January 17, 2020, [17] the film's expansion was moved up to January 10, 2020, when it opened in 2, 375 theaters. [18] [19] Reception [ edit] Box office [ edit] On its first day of limited release the film made $81, 072 from four theaters. [20] It went on to make $105, 000 in its opening weekend (a five-day total of $228, 072). [21] The film made $425, 862 over its 15 days of limited release. It then made $3. 7 million on its first day of wide release, including $800, 000 from Thursday-night previews. The film went on to make $10 million over the weekend, finishing fourth. [22] The film made $5. 8 million in its second weekend of wide release (and $7. 5 million over the four-day Martin Luther King Jr. Day holiday), finishing seventh. [23] Critical response [ edit] The review aggregator website Rotten Tomatoes reported that 83% of critics have given the film a positive review based on 269 reviews, with an average rating of 6. 98/10. The site's critics consensus reads: " Just Mercy dramatizes a real-life injustice with solid performances, a steady directorial hand, and enough urgency to overcome a certain degree of earnest advocacy. " [24] On Metacritic, the film has a weighted average score of 68 out of 100 based on 49 critics, indicating "generally favorable reviews". [25] Audiences polled by CinemaScore gave the film a rare average grade of "A+" on an A+ to F scale, and PostTrak reported it received an average 4. 5 out of 5 stars, with 73% of people saying they would definitely recommend it. [22] Accolades [ edit] See also [ edit] List of black films of the 2010s References [ edit] ^ "Just Mercy". Toronto International Film Festival. Archived from the original on July 23, 2019. Retrieved July 23, 2019. ^ "Just Mercy (2019)". The Numbers. Archived from the original on December 25, 2019. Retrieved March 4, 2020. ^ "Just Mercy" tells the story of Walter McMillian, a wrongfully convicted man who fights a flawed criminal justice system". NBC News. October 24, 2019. Retrieved March 5, 2020. ^ "Just Mercy (2019)". Box Office Mojo. Archived from the original on January 8, 2020. Retrieved March 4, 2020. ^ "Just Mercy by Bryan Stevenson | Bestselling Book and Adapted Film".. Archived from the original on November 20, 2019. Retrieved November 22, 2019. ^ McNary, Dave (September 8, 2015). " ' Walk in the Woods' Boosts Broad Green Pictures". Variety. Retrieved July 23, 2019. ^ Kit, Borys (November 30, 2017). "Warner Bros. Picks Up Michael B. Jordan Legal Drama 'Just Mercy ' ". The Hollywood Reporter. Archived from the original on July 16, 2019. Retrieved August 9, 2018. ^ Kit, Borys (July 13, 2018). "Jamie Foxx in Talks to Join Michael B. Jordan in Legal Drama 'Just Mercy ' ". Retrieved August 9, 2018. ^ Galuppo, Mia (August 8, 2018). "Brie Larson Joins Michael B. Jordan in 'Just Mercy ' ". Retrieved August 9, 2018. ^ Galuppo, Mia (August 17, 2018). "O'Shea Jackson Jr. Joins Michael B. Jordan in 'Just Mercy' (Exclusive)". Retrieved August 17, 2018. ^ Kroll, Justin (August 27, 2018). "Michael B. Jordan's 'Just Mercy' Adds Tim Blake Nelson (EXCLUSIVE)". Archived from the original on August 1, 2019. Retrieved August 27, 2018. ^ " " Just Mercy" Movie Films in Montgomery". Equal Justice Initiative. August 30, 2018. Retrieved August 31, 2018. ^ N'Duka, Amanda (October 1, 2018). " ' SNL's Beck Bennett, D'Arcy Carden Star In 'Greener Grass'; 'Just Mercy' Adds Dominic Bogart & Hayes Mercure". Deadline Hollywood. Archived from the original on April 18, 2019. Retrieved October 1, 2018. ^ N'Duka, Amanda (October 2, 2018). "Karan Kendrick Cast In 'Just Mercy'; 'Doctor Sleep' Adds Jocelin Donahue". Archived from the original on August 22, 2019. Retrieved October 2, 2018. ^ Lang, Brent (July 23, 2019). "Toronto Film Festival: 'Joker, ' 'Ford v Ferrari, ' 'Hustlers' Among Big Premieres". Retrieved July 23, 2019. ^ McClintock, Pamela (July 16, 2019), "Michael B. Jordan's 'Just Mercy' Lands Year-End Awards Release; 'Sesame Street' Officially Pushed" Archived July 16, 2019, at the Wayback Machine, The Hollywood Reporter. ^ N'Duka, Amanda (April 20, 2018). "Warner Bros Dates Melissa McCarthy Comedy 'Superintelligence' & Michael B. Jordan's 'Just Mercy ' ". Archived from the original on March 30, 2019. Retrieved July 23, 2019. ^ "Just Mercy" Archived January 17, 2020, at the Wayback Machine, Box Office Mojo. ^ "Archived copy". Retrieved January 16, 2020. CS1 maint: archived copy as title ( link) ^ McClintock, Pamela (December 25, 2019). "Box Office: 'Star Wars: Rise of Skywalker' Unwraps Huge $32M on Christmas Day". Archived from the original on December 26, 2019. Retrieved December 26, 2019. ^ Ramos, Dino-Ray (December 29, 2019). " ' 1917', 'Just Mercy' And 'Clemency' Open Strong In Limited Debuts Over Busy Holiday Weekend – Specialty Box Office". Archived from the original on December 29, 2019. Retrieved December 29, 2019. ^ a b D'Alessandro, Anthony (January 12, 2020). " ' 1917' Strong With $36M+, But 'Like A Boss' & 'Just Mercy' Fighting Over 4th With $10M; Why Kristen Stewart's 'Underwater' Went Kerplunk With $6M+". Archived from the original on January 12, 2020. Retrieved January 12, 2020. ^ Anthony D'Alessandro (January 19, 2020). " ' Bad Boys For Life' So Great With $100M+ Worldwide; 'Dolittle' Still A Dud With $57M+ Global – Box Office Update". Archived from the original on January 20, 2020. Retrieved January 20, 2020. ^ "Just Mercy (2019)". Rotten Tomatoes. Fandango. Archived from the original on January 14, 2020. Retrieved March 5, 2020. ^ "Just Mercy Reviews". Metacritic. CBS Interactive. Archived from the original on January 15, 2020. Retrieved March 5, 2020. ^ Gardner, Chris (November 26, 2019). " ' The Two Popes' Leads Nominees for AARP the Magazine's Movies for Grownups Awards". Archived from the original on December 2, 2019. Retrieved November 26, 2019. ^ Goldberg, Matt (December 2, 2019). " ' Parasite' Wins Big with the Atlanta Film Critics Circle". Collider. Archived from the original on December 3, 2019. Retrieved December 2, 2019. ^ Morales, Wilson (December 11, 2019). "20th Annual Black Reel Awards - Nominees Announced". Black Film. Archived from the original on December 13, 2019. Retrieved January 9, 2020. ^ "NAACP | NOMINEES ANNOUNCED FOR 51st NAACP IMAGE AWARDS". NAACP. January 9, 2020. Archived from the original on January 11, 2020. Retrieved January 9, 2020. External links [ edit] Official website Just Mercy on IMDb.
Just mercy full movie 2019.
Filmdaten Deutscher Titel Just Mercy Originaltitel Just Mercy Produktionsland USA Originalsprache Englisch Erscheinungsjahr 2019 Länge 137 Minuten Altersfreigabe FSK 12 [1] Stab Regie Destin Daniel Cretton Drehbuch Destin Daniel Cretton, Andrew Lanham Produktion Asher Goldstein, Gil Netter Musik Joel P. West Kamera Brett Pawlak Schnitt Nat Sanders Besetzung Brie Larson: Eva Ansley Michael B. Jordan: Bryan Stevenson Jamie Foxx: Walter McMillian O’Shea Jackson Jr. : Anthony Ray Hinton Rafe Spall: Tommy Chapman CJ LeBlanc: John McMillian Rob Morgan: Herbert Richardson Tim Blake Nelson: Ralph Myers Drew Scheid: Linus Steve Coulter: Richter Buren Rhoda Griffis: Richterin Pamela Bachab Tonea Stewart: Mrs. Coleman Claire Bronson: Mrs. Chapman Just Mercy (engl. für „Einfach Gnade“) ist ein Gerichtsfilm von Destin Daniel Cretton, der im September 2019 im Rahmen des Toronto International Film Festivals seine Premiere feierte, am 25. Dezember 2019 in ausgewählte US-amerikanische und am 27. Februar 2020 in die deutschen Kinos kam. In der Filmbiografie wird zum einen der Fall Walter McMillian aufgegriffen, zum anderen zeigt der Film die Arbeit des Strafverteidigers Bryan Stevenson, der McMillian vor Gericht vertreten hatte. Handlung [ Bearbeiten | Quelltext bearbeiten] Dem jungen afroamerikanischen Anwalt Bryan Stevenson stehen nach seinem Abschluss in Harvard eigentlich alle Türen offen. Er jedoch entscheidet sich gegen einen lukrativen Job und begibt sich nach Alabama, um die zu Unrecht Verurteilten mit Unterstützung von Eva Ansley zu verteidigen, die dort die von ihm ins Leben gerufene Equal Justice Initiative betreut. Einer seiner ersten Fälle ist der von Walter McMillian, bekannt als Johnny D., der für einen Mord an einem 18-jährigen Mädchen 1987 zum Tode verurteilt wurde, allerdings auf der Grundlage einer einzigen Zeugenaussage. Zudem weist die Geschichte des angeblichen Tathergangs Ungereimtheiten auf. Auch die Tatsache, dass Johnny den Tag des Mordes mit seiner Familie verbracht hat, was 20 Personen bezeugen können, wurde bei dem Urteil ignoriert. Bereits vor seiner Verurteilung war Johnny im Todestrakt untergebracht worden, um sich schon einmal an diesen zu gewöhnen. Einer seiner anderen Fälle ist der von Herb Richardson, der bei einem Bombenanschlag eine Frau tötete. Seine Hinrichtung kann Stevenson nicht verhindern, und so stirbt der Vietnam-Veteran auf dem elektrischen Stuhl. [2] Stevenson stellt zunächst den Antrag, den Fall neu eröffnen. Obwohl der einzige Zeuge Myers seine damalige Aussage im Gerichtssaal widerruft, urteilt der Richter, dass die Wiedereröffnung des Verfahrens abgelehnt wird. Stevenson ersucht nun das Bundesgericht, über die Wiedereröffnung zu entscheiden und ihm wird positiv entschieden. Biografisches [ Bearbeiten | Quelltext bearbeiten] „Als Schwarzer wird man dauernd verdächtigt, beschuldigt, misstrauisch beobachtet, für schuldig befunden und sogar gefürchtet. Die Bürde, die Schwarze damit zu tragen haben, lässt sich nur verstehen, wenn wir uns gründlich mit der Geschichte des Rassenunrechts auseinandersetzen. “ – Bryan Stevenson in Ohne Gnade Der Anwalt und Bürgerrechtler Bryan Stevenson vertrat in seiner Karriere unter anderem den zum Tode verurteilten Walter McMillian Der Film basiert auf dem teils biografisch, teils autobiografischen Roman Just Mercy: A Story of Justice and Redemption von Bryan Stevenson, der als bestes literarisches Werk in der Kategorie Sachliteratur mit dem NAACP Image Award ausgezeichnet wurde. Der Bestseller wurde 2015 in einer Übersetzung von Jürgen Neubauer unter dem Titel Ohne Gnade. Polizeigewalt und Justizwillkür in den USA veröffentlicht. [3] Der 1959 geborene afroamerikanische Jura-Professor und Bürgerrechtler wurde im Jahr 2011 mit dem Four Freedoms Award in der Kategorie Freiheit von Furcht geehrt. Stevenson, der sich seit Anfang der 1980er Jahre darauf konzentriert, Todeskandidaten das Leben zu retten, schildert in seinem Buch ergreifende Schicksale. Dabei gingen die Schilderung der letzten Minuten oft an die Grenze des Erträglichen, so Michael Groth von Deutschlandfunk Kultur. [4] In dem Buch heißt es, als Schwarzer werde man dauernd verdächtigt, beschuldigt, misstrauisch beobachtet, für schuldig befunden und sogar gefürchtet. Die Bürde, die Schwarze damit zu tragen haben, lasse sich nur verstehen, wenn man sich gründlich mit der Geschichte des Rassenunrechts auseinandersetze. Die Menschen, für die sich Stevenson als Gründer und Geschäftsführer der „Equal Justice Initiative“ (EJI) einsetzt, die Fälle neu aufrollt, sind fast immer bitterarm und sehr häufig afroamerikanischer Abstammung, die keinen Rechtsbeistand gestellt bekommen oder nur pro forma durch schlecht bezahlte und entsprechend kaum vorbereitete Pflichtverteidiger verteidigt werden. Seit 1989 engagieren sich Stevenson und sein Team für lebenslänglich Verurteilte ohne Aussicht auf vorzeitige Entlassung sowie für als Mörder verurteilte Todeskandidaten. In den 26 Jahren ihres Bestehens konnte die Initiative allein in Alabama mehr als 100 Hinrichtungen verhindern. [3] Stevenson beschreibt in Just Mercy ausführlich den Fall Walter McMillian, der erste Todeskandidat, dessen Verteidigung er nach seinem Abschluss in Harvard übernahm. Dieser war fünf Jahre zuvor wegen eines Mordes Mitte der 1980er Jahre verurteilt worden. [5] Der Vorwurf, der Afroamerikaner habe 1987 in Alabama eine weiße Frau getötet, war derart absurd konstruiert, dass McMillian schließlich freigesprochen und 1993 aus dem Todestrakt entlassen wurde. Er starb 2013 einsam und verwirrt in einer sozialen Einrichtung. [4] Produktion [ Bearbeiten | Quelltext bearbeiten] Regie führte Destin Daniel Cretton, der gemeinsam mit Andrew Lanham auch das Drehbuch nach Stevensons Roman Just Mercy: A Story of Justice and Redemption verfasste. [5] Michael B. Jordan übernahm die Hauptrolle des jungen Anwalts und Harvard-Absolventen Bryan Stevenson. Brie Larson spielt Eva Ansley, die die Equal Justice Initiative vor Ort betreut, Jamie Foxx den zum Tode verurteilten Walter McMillian, um dessen Verteidigung sie sich bemühen. O’Shea Jackson übernahm die Rolle von Anthony Ray Hinton, der sich ebenfalls im Todestrakt befindet, und Karen Kendrick spielt McMillians Ehefrau Minnie. Tim Blake Nelson spielt Ralph Myers, Rob Morgan den Todeskandidaten Herbert 'Herb' Richardson. [2] Die deutsche Synchronisation entstand nach einem Dialogbuch von Sven Hasper und der Dialogregie von Axel Malzacher im Auftrag der FFS Film- & Fernseh-Synchron GmbH, Berlin. Charles Rettinghaus leiht in der deutschen Fassung Walter McMillian seine Stimme, Oliver Stritzel dem Todeskandidaten Herbert Richardson. Die Dreharbeiten fanden in Conyers in Georgia und in Montgomery in Alabama statt. Als Kameramann fungierte Brett Pawlak, als Filmeditor Nat Sanders, der zuletzt für Beale Street und Moonlight von Barry Jenkins in dieser Funktion tätig war. Mit Sanders hatte Cretton bereits bei seinem Film Schloss aus Glas zusammengearbeitet. Das Szenenbild stammt von Sharon Seymour, die ebenfalls an Schloss aus Glas mitgewirkt hat. Die Filmmusik wurde von Joel P West komponiert. Der Soundtrack, der insgesamt 18 Musikstücke umfasst, wurde am 13. Dezember 2019 von WaterTower Music als Download veröffentlicht. [6] Am 6. September 2019 wurde der Film beim Toronto International Film Festival uraufgeführt. Kurz zuvor stellte Warner Bros. den ersten Trailer vor. [7] Weitere Festivalteilnahmen folgten u. a. in London, Chicago und den Hamptons. [5] Am 25. Dezember 2019 kam er in ausgewählte US-amerikanische und am 27. Februar 2020 in die deutschen Kinos. [8] Rezeption [ Bearbeiten | Quelltext bearbeiten] Altersfreigabe [ Bearbeiten | Quelltext bearbeiten] In den USA wurde der Film von der MPAA als PG-13 eingestuft. [9] In Deutschland wurde der Film von der FSK ab 12 Jahren freigegeben. In der Freigabebegründung heißt es, auch wenn der Film die allgegenwärtige Rassendiskriminierung und die Inhumanität der Todesstrafe thematisiere, werde die Geschichte ruhig und einfühlsam erzählt, mit Konzentration auf die differenziert gezeichneten Hauptfiguren. Die emotionale Intensität der Inszenierung mit Szenen von der Ausweglosigkeit des Daseins im Todestrakt und von Behördenunrecht könne Kinder unter 12 Jahren streckenweise überfordern. [10] Kritiken und Einspielergebnis [ Bearbeiten | Quelltext bearbeiten] Der Film konnte bislang 83 Prozent aller Kritiker bei Rotten Tomatoes überzeugen und erhielt hierbei eine durchschnittliche Bewertung von 7 der möglichen 10 Punkte. [9] Owen Gleiberman von Variety schreibt, in einer Szene, in der ein Todeskandidat auf einem Stuhl festgeschnallt und The Old Rugged Cross über das Soundsystem des Gefängnisses gespielt wird und die Gefangenen mit ihren Blechbechern gegen die Gitterstäbe ihrer Zellen schlagen, werde einem der Schrecken des Films besonders deutlich vor Augen geführt. Er beschreibt den Tod, der wie der Todestrakt ein Teil dieses Tötungssystems sei, als eine kranke Erweiterung der Sklaverei und nennt Just Mercy ein Civil Rights-Drama. Destin Daniel Cretton zeichne dabei nicht nur ein Porträt der Ungerechtigkeit, sondern zeige auch, wie Rassismus funktioniere. Jamie Foxx erinnere in seiner Rolle von Johnny daran, dass er ein großartiger Schauspieler ist. O’Shea Jackson wirke in der Rolle von Anthony Ray Hinton völlig anders als man ihn bislang sehen konnte, und auch Tim Blake Nelson liefere eine großartige Leistung ab. [2] Michael Meyns von der Gilde deutscher Filmkunsttheater bemerkt, Cretton bediene in einem betont ruhigen Film dezidiert nicht die Muster typischer Gerichtsfilme, und schon nach wenigen Minuten bestehe kein Zweifel über die Unschuld von William McMilian, die auch am Ende nicht mit überraschenden Zeugen oder einem besonders brillanten Plädoyer bewiesen wird, wie es in diesem Genre meist der Fall ist. Statt dessen richte sich Crettons Blick auf das große Ganze, auf eine Gesellschaft, die sich stets einredet, dass Gerechtigkeit ihr höchstes Gut ist und dabei kaum merkt, wie tief Vorurteile und Rassismus in ihr verhaftet sind. Der Umstand, dass die Figuren im Film die Demütigungen in sich hineinfressen, lasse Just Mercy zu einem kraftvollen Film werden, so Meyns weiter: „So offensichtlich sind die Ungerechtigkeiten dieses Justizsystems, dass es reicht, sie mit großer Ruhe zu benennen und unermüdlich um Reformen zu kämpfen. “ [11] Die weltweiten Einnahmen des Films aus Kinovorführungen belaufen sich auf 46, 6 Millionen US-Dollar. [12] Auszeichnungen [ Bearbeiten | Quelltext bearbeiten] African-American Film Critics Association Awards 2019 Auszeichnung als Bester Nebendarsteller ( Jamie Foxx) Aufnahme in die 10 Best Films of 2019 [13] American Black Film Festival 2020 Nominierung als Film des Jahres [14] Black Reel Awards 2020 Nominierung als Bester Film Nominierung als Bester Nebendarsteller (Jamie Foxx) Nominierung als Bestes Ensemble (Carmen Cuba) [15] Chicago International Film Festival 2019 Auszeichnung mit dem Publikumspreis ( Destin Daniel Cretton) [16] Heartland International Film Festival 2019 Auszeichnung mit dem Audience Choice Award – Special Presentation (Destin Daniel Cretton) Auszeichnung mit dem Overall Audience Choice Award (Destin Daniel Cretton) [17] NAACP Image Awards 2020 Nominierung für das Beste Drehbuch (Destin Daniel Cretton, Andrew Lanham) Nominierung als Bester Hauptdarsteller (Michael B. Jordan) Nominierung als Bester Nachwuchsschauspieler ( Rob Morgan) Nominierung für die Beste Besetzung [18] National Board of Review Awards 2019 Auszeichnung mit dem NBR Freedom of Expression Award [19] Palm Springs International Film Festival Film Awards 2020 Auszeichnung mit dem Spotlight Award (Jamie Foxx) [20] Screen Actors Guild Awards 2020 Literatur [ Bearbeiten | Quelltext bearbeiten] Bryan Stevenson: Just Mercy: A Story of Justice and Redemption, Spiegel & Grau, 2014. ISBN 9780812984965 Bryan Stevenson: Ohne Gnade. Polizeigewalt und Justizwillkür in den USA, Piper, München 2015. ISBN 978-3-492-05722-6 Weblinks [ Bearbeiten | Quelltext bearbeiten] Just Mercy in der Internet Movie Database (englisch) Just Mercy im Programm des Toronto International Film Festivals (englisch) Just Mercy – Main Trailer von Warner Bros. Pictures bei YouTube (Video, englisch) Einzelnachweise [ Bearbeiten | Quelltext bearbeiten] ↑ Freigabebescheinigung für Just Mercy. Freiwillige Selbstkontrolle der Filmwirtschaft (PDF; Prüfnummer: 196003/K). ↑ a b c Owen Gleiberman: Toronto Film Review: 'Just Mercy'. In: Variety, 6. September 2019. ↑ a b Michael Saager: Die Vollstreckungsgesellschaft. In: fluter, 25. Dezember 2015. ↑ a b Michael Groth: Bryan Stevenson „Ohne Gnade“: Plädoyer für die Menschlichkeit. In: Deutschlandfunk Kultur, 16. Januar 2016. ↑ a b c Dave McNary: 'Just Mercy, ' 'Ford V Ferrrari' Tapped for Hamptons Film Festival. In: Variety, 23. August 2019. ↑ 'Just Mercy' Soundtrack Details. In:, 12. Dezember 2019. ↑ Garth Franklin: First Trailer: Michael B. Jordan In „Just Mercy“. In:, 3. September 2019. ↑ Starttermine Deutschland In: Abgerufen am 21. Dezember 2019. ↑ a b Just Mercy. In: Rotten Tomatoes. Abgerufen am 13. Januar 2020. ↑ ↑ Michael Meyns: Just Mercy. In: Abgerufen am 23. Januar 2020. ↑ Just Mercy. In: Abgerufen am 29. Februar 2020. ↑ Abid Rahman: Jordan Peele's 'Us' Named Best Film by African-American Film Critics Association. In: The Hollywood Reporter, 10. Dezember 2019. ↑ American Black Film Festival Announces 2020 'Movie of the Year' Nominees. In:, 18. Dezember 2019. ↑ Wilson Morales: 20th Annual Black Reel Awards – Nominees Announced. In:, 11. Dezember 2019. ↑ Audience Choice Awards Announced For 55th Chicago International Film Festival. In: Abgerufen am 30. Oktober 2019. ↑ 28th Annual Heartland International Film Festival Announces Filmmaker Award winners. In:, 22. Oktober 2019. ↑ Erik Anderson: 2020 NAACP Awards: Billy Porter, Lizzo, Regina King, Angela Bassett up for Entertainer of the Year. In:, 9. Januar 2020. ↑ Marianne Garvey: National Board of Review names 'The Irishman' best film of 2019. In:, 4. Dezember 2019. ↑ Palm Springs International Film Festival Film Awards. In:, 2. Januar 2020.
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Just Mercy Full movie. Just mercy trailer full movie. Just mercy full movie 123 movies. OMG oscar baby i hear it coming and i cried watching this -cant wait to see it. I came here because i saw Michael B Jordan😘.
I literally knew jimmys first question, makes me wonder if I know the other questions 😂
I love that he was honest about crying and that he need to let it out. There is nothing wrong with men crying they need to cry and be able to cry in peace. Level 1 I really love Destin Daniel Cretton's work, and I'm there for the casting but..... this movie feels so much like a classic Oscar bait movie, and maybe one that will bite the dust... I can't get too excited, idk. The trailer didn't do anything for me. level 1 Man, does Jamie Foxx age? Dudes been the same age since the 90s. level 1 the trailer looks good and whether the film will be success at the awards show remains to be seen. Michael B Jordan goes from strength to strength as an actor, first as Adonis Creed, then as Killmonger then as Bryan Stevenson (I have not seen the movie where he co stars along with Michael Shannon) level 1 Comment deleted by user 6 months ago ( More than 5 children) level 2 I mean she's playing a real was and is still part of the organization set up by Bryan Stevenson (Jordan's character) so its not like they are forcing a character into someone elses story level 2 This is what she talked during Q&A and mbj wanted her she also read the book and cried reading it level 2 well do you want the movie to make 4 million, or 40 million? So weird "nonwhite people need to be in this movie to attract nonwhite audiences" but the reverse is "weird and cringy" What kind of psycho ex girlfriend mentality is the representation premise is real, or the investors on this film should forego a return inexchange for racial brie larson you vvvveeerrryyyy much. level 2 Not sure if she was a real person or not... I actually like that she's there as she seems to be Cretton's "fetish" actor, he is known for his collaborations with her as they probably work well togeter. Doesn't have to be an agenda everytime. level 1 You're supposed to link the trailer on the studio's official channel or it will get removed level 2 That's what I tried t do originally, but it gave an error saying the link had already been posted on this sub. I didn't see any post in the sub regarding this trailer (maybe it was removed? ), that's why I posted the one not linking to the official channel. But you're correct. level 1 Same old story from a Hollywood that thrives on the same predictable racial narratives. level 1 Is there anything more dull looking than a "prestige" picture? I'll like the performances, feel life-affirmed, then my ass will forget about the movie the next day. With the unfortunate addition in this day and age that I'll be reminded about said forgettable, yet harmless picture, when some asshole "woke" journalist writes a hot take about it that everyone can squabble over meaninglessly. level 1 Why Brie Larson? I might have actually wanted to see this movie. Thank YOU veery much level 1 Looks like a Netflix movie. Great.
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An important film for our times about racial injustice and the cruelty that is the US criminal justice system. Very moving and powerful. Wonderful performances from the two main leads - Jordan and Foxx, with strong supporting performances from Brie Larson and Rafe Spall. Recommend to anyone who wants to become a lawyer or is just interested in US politics and history.
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I like how Jamie told the audience to stop that at 1:37 shows he has major respect for Michael B. Jordan. Just mercy full movie hd. Please review the movie The Day Shall Come.
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19:12 Bryan telling that story of his grandmother is one of the most beautiful dedications I've ever heard. Level 1 I knew the guy Jamie played in the movie. I'm from the town all this shit happened in. Pretty accurate to the actual happenings. level 1 r/Movies Veteran 9 points · 1 month ago · edited 1 month ago Jamie Foxx has the best hairline of all time for a 52-year-old. My dream Supporting Oscar nominations was this: Sterling K. Brown, Waves Brad Pitt, Once Upon A Time In Hollywood Tom Hanks, A Beautiful Day In The Neighborhood Willem Dafoe, The Lighthouse Jamie Foxx, Just Mercy level 2 Waves was severely underrated. level 1 I read the book. Many case studies. Super interesting. level 1 Foxx is like Tom Hanks. He loves the sound of his voice far too much. level 2 7. 5 on IMDb and 84% on Rotten Tomatoes so most people who saw it did end up liking it. level 1 He is being incredibly melodramatic. level 2 Yeah, what a bitch he is for choking up over losing his dad for 7 years because of a petty crime. How dare he. level 1 I like Jamie Foxx as an actor but isn't he known for making movies about himself? Law Abiding Citizen comes to mind. level 2 A big movie star having say over how their character Is depicted in a movie starring them? Inconceivable.
Sooooo thurgood marshall. Just mercy full movie online. YouTube. Guilty since the day you are born. This one sentence sums up racism. America land of the free. Amazing man. Great Cast.
This man is trying to clear his conscience to get things right with God cuz he knows someone's going to get to him. Just mercy full movie watch online. Just Mercy Full movie reviews. Steve Higgins really is super cute. I love his smile. Full movie just mercy fmovies. Watch full movie just mercy.
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El escándalo ted kennedy filmaffinity. And why it’s not enough December 23, 2019 Both Kayla and Jess are composites—characters meant to tell the stories of women who could not speak for themselves. Lionsgate The best scene of Bombshell, the based-on-a-true-story dramatization of sexual harassment at Fox News, is one that never really happened. In it, Kayla, a young and ambitious producer at the network, gets an opportunity that doubles as currency at Fox News: a private meeting with Roger Ailes, the chairman and CEO. Knowing that he has the power to make her career in journalism—less aware, at the time, that he also has the power to break it—Kayla sits on Ailes’s couch, thrilled. She tells Ailes about her career. He listens for a moment. And then he gives her an order: “Stand up and twirl for me. ” Kayla is confused. She is uncomfortable. But she does as she’s asked. She gives a quick spin, her mouth frozen in a tight smile, attempting to make light of the move. The camera focuses on her face. Ailes—his initial warmth growing colder as he issues commands—asks her to hike up the bottom of her dress. She resists. He asks again. Finally, she complies, as the interaction she had thought was a job interview congeals into something else. She pulls up the hem of her dress. Ailes, played by John Lithgow, breathes heavily. She pulls the dress up higher, her hands trembling, until her underwear is exposed. The scene is intimate. It is invasive. It is painful to watch. That’s in part because it is shot so unsparingly. But it is also because the assault Bombshell ’s camera depicts is not physically violent. The abuse here is psychological. Kayla, without realizing it, has walked into a battle for her dignity. The writer Jill Filipovic explained the scene’s power like this: “Reading about sexual harassment dulls it. Seeing it is a crucial reminder of how repulsive and destructive Ailes, and sexual harassers like he was alleged to be, can be. ” So it is notable, in that regard, that the woman in the scene is one of the characters in Bombshell who is not based on a specific person. Kayla Pospisil, played by Margot Robbie, is instead a composite figure—a woman woven from the stories of multiple real-life people. She is the product of a literature review, basically: Kayla’s experiences in the film are summaries of several of the allegations made about Ailes in sexual-harassment lawsuits that Fox News employees brought against the network. Her character is also informed by interviews Bombshell ’s filmmakers conducted with many of the women who made those claims. While nondisclosure agreements have kept many of those women publicly silent, Kayla, in a sense, gives them a voice. Kayla is one of three women at Bombshell ’s center; the other two are Megyn Kelly (Charlize Theron) and Gretchen Carlson (Nicole Kidman). Bombshell is a work of uncanniness. Starting with the makeup that transformed Theron into Kelly, the film’s pleasures and its indictments come in large part through its painstaking re-creations of real-life people. Kayla, though, suggests the limitations of the simulacrum. It is revealing that one of the main characters, in this film that has marketed itself as a retelling of the sexual-harassment story at Fox News, is a work of fiction. But Bombshell is primarily Kelly’s story. She is the one who is capable of breaking the movie’s fourth wall, speaking directly to the audience. She is the one whose arc, in the film, bends the most sharply. There is an inherent challenge in that arrangement: To tell the story of workplace sexual harassment through the experience of Megyn Kelly is … to tell the story of workplace sexual harassment through the experience of Megyn Kelly. It is to have a tale told by a narrator who is, if not fully unreliable, then deeply fraught. Read: Megyn Kelly’s original sin Bombshell nods to that tension. It features a brief clip of one of Kelly’s more infamous on-air moments: her glib insistence that “ Santa just is white. ” The film also features, along the way, assorted acknowledgments of the Fox News complicity machine—chief among them, representations of the many women at the network who had succeeded within its rigged system and who therefore had a vested interest in maintaining that system as it was. (If you are not a fan of Jeanine Pirro, the Fox News host who recently wrote a book titled Liars, Leakers, and Liberals: The Case Against the Anti-Trump Conspiracy, Bombshell provides several scenes that will leave you feeling fully vindicated. ) But the main way the film wrestles with the complications of its own story is by eliding them. Kelly may be the star of the show; Kayla, however, is its moral center. (Carlson—who was the first to come forward with allegations of sexual harassment against Ailes—is something of the side character in the trio. ) The scene between Kayla and Ailes is what roots the film as it explores the legal battle that led to Ailes’s ouster from the network. It is through Kayla that the horrors and humiliations of sexual harassment are brought to the film’s screen. “I’ve never filmed anything as excruciating, ” Bombshell ’s director, Jay Roach, said of that interaction. It’s understandable, in some ways, that the character doing that work in the film would be fictional. My colleague Conor Friedersdorf, writing after the publication of the report about an unnamed woman’s sexual experience with Aziz Ansari and the New Yorker story “Cat Person, ” argued that fiction can be functional. Invented stories, he suggested, could be the most efficient way to talk about the things so many people wanted to be talking about when it came to those stories: the gray areas of consent; sex that is bad not in a criminal sense, but in another way. The benefit of “Cat Person” was that those discussions could be had about people who did not exist. Fiction affords a kind of freedom. Read: ‘Cat Person’ and the impulse to undermine women’s fiction Nonfiction brings complications. Megyn Kelly, with her glib comments about Santa and blackface and “ thug mentality ”—with all the work she did to build up the network that has helped bring America so low—is a notably difficult vehicle for discussions of justice. But Kayla Pospisil is not. Kayla is no more and no less than what Bombshell tells us she is. She makes few demands, of her screenwriters or of her audience. She brings none of the baggage that comes with a real existence. In some ways, that’s a productive thing. Robbie’s performance is masterful, and Kayla’s lack of specificity makes her an apt stand-in for the many people at Fox News who are not part of the story Bombshell is telling. But Kayla, a figure informed by everyone and therefore by no one, also makes the movie smoother and easier than it might be. The character frees the film of the obligations that come with telling true stories about real people. That freedom, however, also allows a story about sexual harassment to wander, at times, into the realm of the fanciful. You can see this in another composite character in the film: Kayla’s best friend at the network, Jess Carr, played by Kate McKinnon. McKinnon has described her character as a “closet liberal and closet gay woman. ” Her presence allows Bombshell to point out that Fox News is a more complicated place than its broadcasts might make it seem. But McKinnon’s character allows Bombshell to do something else, as well: to serve up a scene in which Jess and Kayla are lying in Jess’s bed, ostensibly having slept together. Was the scene between these two composite characters making a point about the secret lives of women? Maybe. Would Laura Mulvey also have some things to say about it? Probably. Bombshell is rendered in the style of Vice and The Big Short (its screenwriter, Charles Randolph, also wrote the screenplay for the latter). Here, too, are wide-ranging tragedies expressed through an aesthetic that verges on cartoonish. The film—its pun of a title offers a hint at what’s to come—has a kaleidoscopic quality. It is primary-colored and stylized and dizzying. It is, like the cable-news network that is its subject and its setting, shiny and hectic. But Bombshell ’s message, for all that, is straightforward: All women, no matter their politics, deserve to work in environments that are respectful and safe. That is an important argument, and Kayla, ambitious and vulnerable and fictional, expresses it well. Kelly and Carlson, however, complicate it considerably. Those women, as real and historical figures, have contributed to the rise of a network that has often made a mockery of the very things Bombshell celebrates: collaboration, courage, justice. Fox News has made its reputation and its money by delighting in division—by insisting that some women are more deserving than others. That is the uncomfortable fact of this film. Kayla helps Bombshell elide it. What would the film have looked like had her character not been part of its universe—had Bombshell reckoned more directly with its real and deeply flawed heroines? It wouldn’t have been as sleek. But it might have been more revealing. We want to hear what you think about this article. Submit a letter to the editor or write to Megan Garber is a staff writer at The Atlantic, where she covers culture.
Critics Consensus Bombshell benefits from a terrific cast and a worthy subject, but its impact is muffled by a frustrating inability to go deeper than the sensationalistic surface. 70% TOMATOMETER Total Count: 277 84% Audience Score Verified Ratings: 6, 700 Bombshell Ratings & Reviews Explanation Tickets & Showtimes The movie doesn't seem to be playing near you. Go back Enter your location to see showtimes near you. Bombshell Videos Photos Movie Info Starring Academy Award (R) winner Charlize Theron, Academy Award (R) winner Nicole Kidman, Academy Award (R) nominee John Lithgow and Academy Award (R) nominee Margot Robbie, based on the real scandal, BOMBSHELL is a revealing look inside the most powerful and controversial media empire of all time; Fox News, and the explosive story of the women who brought down the infamous man who created it. Rating: R (for sexual material and language throughout) Genre: Directed By: Written By: In Theaters: Dec 20, 2019 wide Runtime: 118 minutes Studio: Lionsgate Cast News & Interviews for Bombshell Critic Reviews for Bombshell Audience Reviews for Bombshell Bombshell Quotes News & Features.
PROJECT DETAILS: Originally had an April 13th 2018 then a February 22nd and a August 2nd 2019 theatrical release. Apparently the last report about reshoots never actually occured and the studio may have finally reached some kind of agreement with director Josh Boone, who has been promoting the movie on social media recently, where he indicated that this would be his original version with no major edits or changes. (1/2/20) One of the film's producers recently confirmed that the movie will be undergoing reshoots this year, which is why the release date was pushed once again. Here's what he had to say: "What’s happening is we’re gonna do reshoots this year on that film and it has a new release date from Disney. That’s really it. Part of it was figuring out what the reshoots were gonna be, the pick-ups, and the other part of it was getting that cast back together. We're always scrambling to get these actors back together so they’re all in the same place at the same time. So that will be some time this year; we’ll do our pick-ups and the movie will come out. " (6/5/19) While the film supposedly still has an August release, the way it will be released remains to be seen, especially with the recent Fox-Disney merger. The movie was supposed to undergo reshoots, which reportedly never happened and now rumors are swirling around that the film will simply be dumped on Disney's new streaming service in it's current form. (3/18/19) In a recent interview actress Anya Taylor-Joy confirmed that the film's delayed release is due to reshoots, rewrites, and apparently a new character being added. Here's what she had to say: "I do think that there is a great responsibility to make sure the movie is done right and that we deliver the fans something that they can all feel happy about and excited about. So, I don’t think it being delayed is a bad thing because it’s definitely more important to make sure that we get it right than rushing to make a date. So, hopefully, all of these reshoots and adding of the new character that will give the fans an altogether satisfactory, wonderful product. " (3/12/18) According to director Josh Boone they're aiming for a PG-13 rating, saying: "This movie is probably the hardest PG-13 ever made. I mean, we’ve pushed it. The horror is pretty dark, but there’s also an emotional core, too. If I can scare you and make you cry: that’s the goal. " He also adds that the mutants in the film won't be wearing costumes: "There are no costumes. That alone makes it different. They can’t be with the other kids at the X-Mansion. They’re too f—ed up. They’ve all killed people, whether intentionally or unintentionally. " (1/24/18) Apparently the movie's release has been pushed back 10 months so the filmmakers can reshoot several new scenes to make the movie "scarier. " Word is that a recent test screening "went well, but not great" so the producers are looking to focus even more on the horror aspect in hopes of capitalizing on recent successful R-rated horrors like Get Out and It. (1/14/18) Maisie Williams ( Game of Thrones) plays Rahne Sinclair AKA Wolfsbane. Anya Taylor-Joy ( The Witch, Split) plays Illyana Rasputin AKA Magik. Charlie Heaton ( Stranger Things) plays Sam Guthrie AKA Cannonball. Henry Zaga ( Teen Wolf) plays Sunspot AKA Roberto da Costa. Blu Hunt ( The Originals) plays Danielle Moonstar AKA Mirage. It's said that James McAvoy will reprise his role as Professor X. Co-written/directed by Josh Boone ( The Fault in Our Stars). Described as "a haunted-house movie with a bunch of hormonal teenagers. " This is said to be a "Stephen King meets John Hughes'-style horror movie. " Based on the Marvel comic book series with the same name. VIDEOS: GALLERY:.
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