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- Synopsis=Years of carrying out death row executions have taken a toll on prison warden Bernadine Williams. As she prepares to execute another inmate, Bernadine must confront the psychological and emotional demons her job creates, ultimately connecting her to the man she is sanctioned to kill
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Who else is disappointed because this TRAILER IS FAKE. Naomi Harris is a solid actress who consistently puts out excellent performances. Im glad shes nabbed the main role here. Looking forward to this. Clemency is the granting of leniency for a punishment, such as a pardon. Clemency or Clémency may also refer to: Places [ edit] Clemency, Luxembourg, a town Clemency Castle, a castle located in the town of Clemency, Luxembourg Clemency (commune) a former commune in Luxembourg. Now merged into the commune of Käerjeng Matton-et-Clémency, a commune in northern France Clémency (commune) a former commune in northern France now part of the commune Matton-et-Clémency People [ edit] Clemency Canning, or Charles Canning, 1st Earl Canning (1812–1862) English statesman and Governor-General of India Clemency Burton-Hill (born 1981) English actress, TV/radio presenter, writer etc. Clemency Anne Rosemary Gray, or Rose Gray, 1939–2010) British chef and cookery writer Others [ edit] Clemency (film) a 2019 American film Clemency of Titus or La clemenza di Tito, an opera seria in two acts composed by Wolfgang Amadeus Mozart.
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Clemency free watch free. Omg this is now my favorite movie. It shows me that even though she thought she was trapped she found a way to freedom. Not only did she get out of slavery, but she was brave enough to help other slaves out too. She deserves to have this huge movie about her, and it is amazing. To save this word, you'll need to log in. kind, gentle, or compassionate treatment especially towards someone who is undeserving of it the judge chose to show clemency to the truly repentant embezzler humanitarianism, philanthropy empathy, pity, sympathy, understanding commiseration, favor, grace benevolence, care, compassion, gentleness, goodness, goodwill, humaneness, kindliness, kindness, meekness, mildness, niceness, softness, tenderness altruism, generosity, magnanimity, nobility affection, devotion, love, worship hard-heartedness, mercilessness, pitilessness, ruthlessness, uncharitableness reprisal, requital, retaliation, retribution, revenge, vengeance venom, vindictiveness, virulence, vitriol atrocity, barbarity, brutality, cruelty, sadism, savageness, savagery, truculence, viciousness, violence, wantonness castigation, chastisement, discipline, punishment, scolding abhorrence, abomination, detestation, execration, hate, hatred, loathing cattiness, malevolence, malice, maliciousness, malignancy, malignity, meanness, nastiness, spite, spitefulness, spleen animosity, antagonism, antipathy, bitterness, enmity, gall, grudge, hostility, jealousy, pique, resentment bile, jaundice, rancor hatefulness, invidiousness coarseness, hardness, harshness, roughness See the Dictionary Definition.
Clemency Theatrical release poster Directed by Chinonye Chukwu Produced by Bronwyn Cornelius Julian Cautherley Peter Wong Timur Bekbosunov Alfre Woodard Written by Chinonye Chukwu Starring Richard Schiff Danielle Brooks Michael O'Neill Richard Gunn Wendell Pierce Aldis Hodge Music by Kathryn Bostic Cinematography Eric Branco Edited by Phyllis Housen Production companies ACE Pictures Big Indie Pictures Bronwyn Cornelius Productions Distributed by Neon Release date January 27, 2019 ( Sundance) December 27, 2019 (United States) Running time 113 minutes Country United States Language English Box office 313, 111  2] Clemency is a 2019 American drama film written and directed by Chinonye Chukwu. It stars Alfre Woodard, Richard Schiff, Danielle Brooks, Michael O'Neill, Richard Gunn, Wendell Pierce and Aldis Hodge. It had its world premiere at the Sundance Film Festival on January 27, 2019. It was released on December 27, 2019, by Neon. It received critical acclaim for its screenplay, cinematography, Chukwu's direction, score, themes, and especially Woodard's performance.  Premise [ edit] Bernadine Williams, a Death Row prison warden whose job has taken a psychological toll on her, must confront her demons when she has to execute another inmate. Cast [ edit] Release [ edit] The film had its world premiere at the Sundance Film Festival on January 27, 2019.  It won the U. S. Dramatic Grand Jury Prize there, making Chukwu the first black woman to win the award.  Shortly after, Neon acquired distribution rights to the film.  It screened at the San Diego International Film Festival on October 18, 2019.  It is scheduled to be released on December 27, 2019.  Reception [ edit] Critical response [ edit] On Rotten Tomatoes, the film has an approval rating of 92% based on 84 reviews, with an average rating of 7. 66/10. The site's consensus reads. Clemency mines serious social issues for gripping drama, brought to life by an outstanding cast led by Alfre Woodard. 3] On Metacritic, the film has a weighted average score of 76 out of 100, based on 23 critics, indicating "generally favorable reviews. 9] Eric Kohn of IndieWire gave the film an "A–" and wrote: Writer-director Chinonye Chukwu's second feature maintains the quiet, steady rhythms of a woman so consumed by her routine that by the end of the opening credits, it appears to have consumed her humanity as well. 10] Accolades [ edit] See also [ edit] List of black films of the 2010s References [ edit] "Clemency (2019. Box Office Mojo. IMDb. Retrieved February 2, 2020. ^ Clemency (2019. The Numbers. Retrieved February 2, 2020. ^ a b "Clemency (2019. Rotten Tomatoes. Fandango Media. Retrieved January 12, 2020. ^ Sundance Unveils Politics-Heavy Lineup Featuring Ocasio-Cortez Doc, Feinstein Drama. The Hollywood Reporter. Retrieved November 28, 2018. ^ Erbland, Kate (February 3, 2019. Sundance: Clemency' Filmmaker Chinonye Chukwu Is First Black Woman to Win Biggest Prize. Retrieved April 22, 2019. ^ D'Alessandro, Anthony (February 27, 2019. Chinonye Chukwu's Sundance Grand Jury Prize Winner 'Clemency' Acquired By NEON. Deadline Hollywood. Retrieved February 27, 2019. ^ 2019 San Diego Intl Film Festival. September 21, 2019. Retrieved September 24, 2019. ^ D'Alessandro, Anthony (April 25, 2019. Sundance Grand Jury Prize Winner 'Clemency' Eyes Awards Season Release Date. Retrieved April 25, 2019. ^ Clemency Reviews. Metacritic. CBS Interactive. Retrieved January 12, 2020. ^ Kohn, Eric (January 28, 2019. Clemency' Review: Alfre Woodard Is Brilliant in Must-See Prison Drama — Sundance. IndieWire. Retrieved February 3, 2019. ^ Debruge, Peter (February 2, 2019. Sundance Winners: Clemency, One Child Nation Take Top Honors. Variety. Retrieved February 3, 2019. ^ a b "SIFF 2019 Award Winners. SIFF. Retrieved July 10, 2019. ^ 2019 Philadelphia Film Festival: Full lineup revealed. 6abc Philadelphia. October 18, 2019. ^ a b "Gotham Awards: Marriage Story. The Farewell. Uncut Gems' Lead Nominations. The Hollywood Reporter. ^ Schaffstall, Katherine (January 2, 2020. Artios Awards: Hustlers. Knives Out. Rocketman' Among Casting Society Film Nominees. Retrieved January 6, 2020. ^ a b c Sharf, Zack; Sharf, Zack (November 21, 2019. 2020 Independent Spirit Awards Nominees: Marriage Story. Uncut Gems. and More. External links [ edit] Clemency on IMDb.
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Aldis Hodge, star of Sundance Grand Jury Prize winner Clemency, breaks down his performance and tries to justify an inter-franchise mystery on his IMDb page. Watch now 4 wins & 21 nominations. See more awards » Learn more More Like This Documentary 1 2 3 4 5 6 7 8 9 10 9. 2 / 10 X Famous French director Tavernier tells us about his fantastic voyage through the cinema of his country. Stars: Bertrand Tavernier, André Marcon, Thierry Frémaux Musical, Romance Thriller 7 / 10 After one of her fellow taxi dancers is murdered by an unknown man who she met through a personal column advert, Adrienne Charpentier is recruited by the police to answer a series of similar adverts to try to track down the killer. Director: Robert Siodmak Maurice Chevalier, Pierre Renoir, Marie Déa Drama 6. 6 / 10 Turn from playing the piano to playing with swords, and you will get blood on your hands. Denis Dercourt Vincent Perez, Gabriella Wright, Jérémie Renier 6. 4 / 10 The marriage between Gabrielle and Jean begins to fray after the discovery of a letter that belongs to Gabrielle. Patrice Chéreau Isabelle Huppert, Pascal Greggory, Claudia Coli 7. 9 / 10 Aged penniless actors are living in a old people's home. They always talk about their past glory or failures. One day Raphael Saint-Clair comes; he has been a famous actor and had a lot of. See full summary » Julien Duvivier Victor Francen, Michel Simon, Louis Jouvet 7. 4 / 10 Andre has died under mysterious circumstances leaving behind his wife and two daughters who must now learn to grow together or risk being swept apart forever. David Uloth Emilie Bierre, Réal Bossé, Mélissa Désormeaux-Poulin Francois Donge, a wealthy manufacturer, is fighting death at hospital. He officially suffers from a food poisoning. But actually, his wife Bebe deliberately poisoned him. Flashback: ten. See full summary » Henri Decoin Danielle Darrieux, Jean Gabin, Jacques Castelot 7. 6 / 10 André Chatelin is a restaurant owner in Les Halles in Paris. One morning, a girl named Catherine asks to see him. She happens to be the daughter of his estranged wife, Gabrielle, that André. See full summary » Danièle Delorme, Robert Arnoux Short 7. 1 / 10 Willing to prove his manhood to his handsome buddies, Marko tries to find a girl. In the encounter with a victim of a past sexual trauma he discovers an aggressive part of himself. Dusan Zoric Marko Grabez, Miodrag Dragicevic, Mihajlo Jovanovic Music Gabrielle is a young woman with Williams syndrome who has a contagious joie de vivre and an exceptional musical gift. Since she met her boyfriend Martin, at the recreation centre where they. See full summary » Louise Archambault Gabrielle Marion-Rivard, Alexandre Landry, Comedy 6. 5 / 10 There is something strange - some would even say abnormal - about the Malaussène family. But if you take a closer look, no one could be happier than this cheerfully chaotic family, even. See full summary » Nicolas Bary Raphaël Personnaz, Bérénice Bejo, Guillaume de Tonquédec Héctor travels from Hermosillo to Mexico City with the hope of posing naked for photography collective Feral. His friend Carlos chose not to go with him, and Héctor, determined to. See full summary » Alberto Fuguet Gerardo Torres Rodríguez, Pavel Akindog, Anty de la Vega Edit Storyline Years of carrying out death row executions have taken a toll on prison warden Bernadine Williams. As she prepares to execute another inmate, Bernadine must confront the psychological and emotional demons her job creates, ultimately connecting her to the man she is sanctioned to kill. Plot Summary Add Synopsis Details Release Date: 27 December 2019 (USA) See more » Box Office Cumulative Worldwide Gross: 309, 776 See more on IMDbPro » Company Credits Technical Specs See full technical specs » Did You Know? Trivia Michael O'Neill and Richard Schiff previously appeared together in 14 episodes of The West Wing and one episode of Roswell High. See more ».
Aldis Hodge is a SAG Award-winning actor, who has built a dynamic career as a versatile performer shining in roles in both film and television. Hodge is perhaps best known for his role as Noah in the WGN hit series Underground (2016) starring alongside Jurnee Smollett-Bell and Christopher Meloni. Underground (2016) centers on a group of runaway slaves, aided by a secretly abolitionist couple running a station on the Underground Railroad, as they attempt to evade the people charged with bringing them back. Hodge was in the Paramount Pictures film What Men Want (2019) starring Taraji P. Henson and Tracy Morgan. The film was produced by Will Packer, directed by Adam Shankman and was released in February 2019. Hodge recently wrapped production on a Showtime pilot produced by Matt Damon and Ben Affleck entitled City on a Hill (2019) in which he played the co-lead opposite Kevin Bacon. Additionally, he finished work as the title character of the film Brian Banks (2018) alongside Greg Kinnear. In 2017, Hodge was seen in the critically acclaimed film "Hidden Figures" alongside Taraji P. Henson, Octavia Spencer, and Janelle Monáe. The film received three Oscar nominations including Best Picture, two Golden Globe nominations, and, in addition, won a SAG award for Outstanding Performance by a Cast in a Motion Picture as well as an NAACP Award for Outstanding Motion Picture. Hodge also earned a National Board of Review Award and Palm Springs Film Festival Best Ensemble Award for his role in the film. Also in 2017, Hodge was seen in the third season of the Emmy-winning series Black Mirror (2011. In 2016, Hodge was seen in the Edward Zwick film Jack Reacher: Never Go Back (2016) with Tom Cruise. In 2015, Hodge starred in Straight Outta Compton (2015) portraying MC Ren, a member of the pioneering rap group N. W. A. The film captivated audiences all over the world. It was nominated for an Oscar and a SAG Award, and won the NAACP Award for Outstanding Motion Picture. Hodge became a fan favorite in his role as Alec Hardison in TNT's highly rated television series Leverage (2008) which nabbed a People's Choice Award in 2013. Also in 2013, Hodge was seen in the Fox Searchlight eco-terrorism thriller The East (2013) alongside Alexander Skarsgård, Ellen Page, Patricia Clarkson, and Brit Marling. Directed by Zal Batmanglij, the film premiered at the Sundance Film Festival. Hodge also appeared in Twentieth Century Fox's A Good Day to Die Hard (2013) an installment of the Die Hard (1988) franchise. Hodge's other television roles include the critically acclaimed series TURN: Washington's Spies (2014) Friday Night Lights (2006) Supernatural (2005) The Walking Dead (2010) Girlfriends (2000) The Blacklist (2013) City of Angels (2000) Bones (2005) CSI: Crime Scene Investigation (2000) CSI: Miami (2002) ER (1994) Cold Case (2003) Charmed (1998) and Boston Public (2000. At the age of three, Hodge began his career when he booked a print job for Essence magazine with his brother Edwin Hodge. He continued to work as a model for print ads and commercials until he made the transition to the screen, when he and his brother were cast on Sesame Street (1969) and later on stage when they joined the Tony-winning revival of "Showboat" on Broadway. During that period, he also appeared in several movies including Die Hard with a Vengeance (1995) Bed of Roses (1996) Edmond (2005) The Ladykillers (2004) and Big Momma's House (2000. Hodge was born in Jacksonville, North Carolina, and raised in New York, New York. In addition to acting, Hodge writes scripts for film and television, designs luxury timepieces, and is an avid artist and painter. He resides in Los Angeles. 9/18 More.
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Clemency free watch download. Clemency Free watch dogs. Clemency free watch youtube. Edit Clemency (2019) See agents for this cast & crew Directed by Chinonye Chukwu Writing Credits (in alphabetical order) Cast Alfre Woodard... Warden Bernadine Williams Aldis Hodge... Anthony Woods Richard Schiff... Marty Lumetta LaMonica Garrett... Major Logan Cartwright Wendell Pierce... Jonathan Williams Vernee Watson... Mrs. Collins Michael O'Neill... Chaplain Kendricks Danielle Brooks... Evette Dennis Haskins... Mr. Collins Noshir Dalal... Paramedic Michelle C. Bonilla... Sonia Richard Gunn... Deputy Warden Thomas Morgan Debbie Pollack... Physician Anahi Bustillos... Lauren Alma Martinez... Ms. Jimenez Alex Castillo... Victor Jimenez Paul Mabon... Evette's Husband Jed Bernard... Death Watch Officer William B. Simmons II... Evette's Son John Churchill... Brooks Vivan Dugré... Broadcaster Harvey B. Jackson... Prison Guard Lerma R Scott Hoffman... Prison Guard Bex Marsh... Lisa Andrew Somers... Chanting Protester #1 Camryn Howard... Marcus Shannon Burwell... Senior Staff Member Dan Lawler... Dan Maurice Williams... Lonely Inmate Carlis Shane Clark... Maurice (Reporter #3) Stephanie Ugo... Chanting Protestor #4 Ruth Banks Mataya... Chanting Protestor #3 Melissa Harris... Chanting Protestor #2 Teresa Tharp... Middle Aged Woman Wayne Cole... Condemned Man (uncredited) Justus Cooke... Inmate Brandon Garic Notch... Produced by Timur Bekbosunov... producer Kathryn Bostic... executive producer Julian Cautherley... Johnny Chang... Bronwyn Cornelius... Fiona Walsh Heinz... co-producer Emma Lee... Marina Stabile... line producer Peter Wong... Music by Kathryn Bostic Cinematography by Eric Branco Film Editing by Phyllis Housen Casting By Kerry Barden Paul Schnee Production Design by Margaux Rust Art Direction by David Duarte Set Decoration by Devynne Lauchner Costume Design by Suzanne Barnes Makeup Department Luis García... makeup artist Renia Green... hair department head (as Renia Green-Edittorio) Brian A. Jones... sculptor, mold maker, silicone prosthetics fabrication Jennifer M. Quinteros... makeup department head Judy Staats... key makeup artist Production Management Janelle Canastra... production supervisor Daniel Voltz... post-production supervisor Second Unit Director or Assistant Director Mark Jopling... key second assistant director Drew Langer... first assistant director Art Department Lisa Aragona... art department coordinator Anthony Cafaro... property master Ian Lapidus... set dresser Alexandra Maziekien... graphic designer Sound Department Joshua Crisci... sound recordist Lorita de la Cerna... foley artist Mary Jo Devenney... sound mixer Rob Embrey... post sound coordinator Demetri Evdoxiadis... re-recording mixer Jackie Johnson... dialogue editor Alexander Jongbloed... foley editor Jacob Ortiz... ADR supervisor Raymond Park... sound effects editor Andrew Rice... adr mixer Carrie Sheldon... boom operator Michael Toji... VP: Post Production Services Visual Effects by May Satsuki Asai... visual effects artist Shirley Luong... Visual Effects Producer: Tunnel Post Heather Toll... visual effects producer Wanyan Zhu... Stunts Zedric Harris... stunt performer Joe Ordaz... Lou Simon... stunt coordinator Eric Watson... Stunt Double: Anthony / utility stunts Camera and Electrical Department Clark Birchmeier... digital imaging technician: Standish, MI Unit Andrew Brinkhaus... gimbal operator Peter Brunet... digital imaging technician Bum Chyba... dolly grip Tyler Condreay... Assistant Chief Lighting Technician Nicholas Deane... best boy grip Alison Kelly... 2nd Unit Director of Photography Brock Kingsland... lighting technician Alex Laber... grip Thomas J. Miner... 2nd assistant camera Christine Oeurn... second assistant camera Theodore Rysz III... gaffer Paul Sarkis... still photographer Anthony Schrader... key grip Max Schwartz... electrician Marc-Antoine Serou... gaffer: Detroit Casey Slade... Melisse Sporn... first assistant camera Casting Department Cristina Benavente... casting assistant Jessica Gee-George... adr voice casting Grant George... Rachel Goldman... Joey Montenarello... casting associate Roya Semnanian... Dixie Webster... extras casting Costume and Wardrobe Department Suzan Berberian... costumer Emilyna Cullen... costume supervisor Rosalyn Isidro... set costumer Rachel Pollen... costume PA Editorial Department Victor Franco... dailies processing Taylor Mahony... digital intermediate editor Matt Miller... assistant editor J. D. Moore... Alan Pao... digital intermediate producer Sebastian Perez-Burchard... colorist / digital intermediate editor Location Management Kieron Estrada... location manager Music Department Kevin Crehan... music editor Nils Jiptner... score mixer Evan Krauss... music legal Joe Paganelli... music supervisor Bianca Valencia... Script and Continuity Department Barbara Abelar... script supervisor Transportation Department Louis Dargenzio... transportation coordinator Nathan Rollins... driver Other crew Sammi Begelman... production secretary Jim Dobson... publicist Jacquelyn A. Gibbons... clearances key production office assistant Christina Lee... assistant accountant Kayla Mason... Key Set Production Assistant Dominic Pace... ADR Zachary Stein... production counsel Ben Weiss... sales representative Peggy Yen... production accountant Thanks Meghan Oliver... special thanks Kenny Walakandou... thanks See also Release Dates, Official Sites Company Credits Filming & Production Technical Specs Getting Started Contributor Zone » Contribute to This Page ad feedback Details Full Cast and Crew Storyline Taglines Plot Summary Synopsis Plot Keywords Parents Guide Did You Know? Trivia Goofs Crazy Credits Quotes Alternate Versions Connections Soundtracks Photo & Video Photo Gallery Trailers and Videos Opinion Awards FAQ User Reviews User Ratings External Reviews Metacritic Reviews TV TV Schedule Related Items News Showtimes External Sites Explore More Show Less Create a list » User Lists Related lists from IMDb users 2019 a list of 35 titles created 2 months ago 2019 watchlist a list of 32 titles created 21 Jun 2018 Movie Awards - 2020 a list of 48 titles 6/7 a list of 49 titles created 5 months ago a list of 31 titles created 1 month ago See all related lists ».
Alfre Woodard gives a career-best performance as a prison warden who oversees death row in this harrowing character study and critique of capital punishment. Winner of the Grand Jury Prize at Sundance. In this film's harrowing opening scene—the first of many in writer/director Chinonye Chukwu's hard-hitting, and extensively researched, prison drama—the 12th execution in Warden Bernadine Williams' tenure does not go as it should, and we are not spared the hideous details. As the woman charged with overseeing them (including informing the condemned men about what exactly the procedure entails) she may have thought her just-doing-my-job emotional armor was impervious, but these horrifying circumstances open, and slowly widen, a crack. The clock is winding down for another death-row inmate, Anthony (Aldis Hodge) whose hope for a reprieve decreases daily even though his guilt is in question. (Introducing shades of gray to the issue, the mother of the man Anthony was convicted of killing also has her say. Anthony's beaten-down defense attorney, the media attention, and the anti-death penalty protestors gathering outside the prison (their chants audible from her office) add to Williams' emotional pressure. All this, plus the resulting insomnia and bar-hopping self-anesthetizing, also takes a toll on her marriage. Winner of the US Dramatic Grand Jury Prize at Sundance 2019, Clemency is already being talked of as a career-best performance for Alfre Woodard as Williams, caught gruelingly in the crack between power and powerlessness: in charge of the procedure, but with no ability to change the system. Director Biography The daughter of two engineers, Chinonye Chukwu is a 34-year-old filmmaker, educator, and social- justice advocate who was born in Nigeria and raised in Alaska. She received a bachelor's degree in English from Depauw University in 2007, and an MFA in screenwriting and directing from Temple University in 2010. Chukwu is the founder of "Pens to Pictures. a filmmaking collaborative that mentors incarcerated women and teaches them to develop their own short films. She is the first black woman to win the Sundance Film Festival's Grand Jury Prize for her U. S. Dramatic entry, Clemency (2019. Sponsored by Ingeniux, Redbox.
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Written and directed by Chinonye Chukwu, the intensely moving drama Clemency follows prison warden Bernadine Williams ( Alfre Woodard, in one of the best performances of the year) who has spent years carrying out death row executions that have taken their toll on her life and her marriage. Before she must carry out yet another execution of inmate Anthony Woods ( Aldis Hodge) Bernadine finds herself confronting the emotional and psychological damage the job has done, as she figures out what that means for her future. At the films Los Angeles press day, Collider got the opportunity to sit down and chat with co-stars Woodard and Hodge about why they wanted to take on these challenging roles, the difficulty of shooting the execution scenes, and what happened when they discussed this tough, important movie with audiences. Hodge also talked about his upcoming movie The Invisible Man and his Showtime series City on a Hill while Woodard talked about the experience of shooting the epic Apple TV+ series See. Collider: Youre both so terrific in this film. Its like watching a master class in acting. When this project came your way, did you jump at the chance to do something like this? ALFRE WOODARD: Oh, yeah. ALDIS HODGE: Absolutely, yeah. WOODARD: Most people would say, “Oh, thats so hard. I dont know. ” And Im like, “Send us. ” HODGE: As an actor, your main ambition should be to do a role thats gonna push you outside of your comfort zone. I want to learn something about myself. Thats how I pick projects, nowadays. I ask myself, “How can I grow, and who can help me grow? ” What this was, basically, was growth. Did you also have conversations with your director, Chinonye Chukwu, to make sure that it would be presented in a way that you also were on the same page with? WOODARD: Thats what drew me in, and all of the actors. She was a person who had a creative intelligence and a commitment to taking the subject matter seriously and sincerely. She changed her life, to tell this story. She moved to Ohio, she worked in the prison system there, and she worked on countless clemency cases. And then, she talked about her cinematic influences and how she saw it, in design and pacing. So, it was the conversations that made me say, “Im gonna go with you. ” We might say yes to the subject matter, but I wanted to go with her on the subject matter. Image via Neon HODGE: My first couple of conversations with Chinonye were really about learning how she was inspired and why she was inspired to tell this story. That set up the framework for how I was able to view what it was we were about to get into. She told me about her extensive work within the prison system, and thats how I knew I was dealing with somebody whos really dedicated. Not only did she write a brilliant script, but it came from a place of real passion for the potential of what it had to say and the effect of what the art was. So, after you get that, you know that youre not dealing with somebody who is trying to take the subject matter lightly or frivolously. When youre dealing with somebody whos deeply connected to the purpose of it, then you cant help but trust, at that point. Really, it just comes down to trust. Everything we do in this business is risk and trust. You can be with the biggest studio on the biggest budge film, and it can still turn out to be something that is not entirely the greatest. And you can have two dollars and some really dedicated people, and make the greatest masterpiece, ever. It depends on where peoples hearts are. That supplements and roots your trust and faith in it. So, for me, it was coming to understand that Chinonye was super dedicated because she was experienced and educated. Its a different value that you add. And then, just look at the casting. At first, I had only heard that Alfre Woodard was on it and I was like, “Its Alfre Woodard, so yes. If you want me to play an extra, all right. Im with you. ” But then, after that, you hear about Wendell Pierce, Richard Schiff, and Danielle Brooks, and youre like, “All of these major talents are coming to the same place for the same reason. Theres gotta be something special here. ” There were so many people that really have brilliant bodies of work and are fantastic actors, and theyre coming to this project for a reason. I just wanted to be a part of that reason. Obviously, when you do something like this, you know that, at some point, youll be shooting an execution scene. What were those days like? WOODARD: We talk about how acting is listening and responding. Our death chambers were absolutely specifically like a death chamber. It was replicated, to the point that it was like walking into a space where people have been lynched, like the National Memorial to Peace and Justice that Bryan Stevenson has given the nation. So, we walk in there and we know whats gonna happen, in each execution. Everybody just has to learn the choreography. The strapping down and the administering of drugs has to be precisely right. All of the actors are doing that thing. Were not pretending. Were recreating, so that our viewer can be right there, so the next time they hear that somebody is being executed, they know what it is. We had a man who has overseen more executions than anybody in the world, who then became a big proponent against the death penalty. His name is Allen Ault, and they did a BBC documentary on him. He choreographed our execution scene. All Chinonye had to do was roll camera because we were walking on peoples souls, at that point. You just had to keep breathing and not pass out during those days. They had a therapist on set. The first execution scene, we started setting it up and two of the big guys that were in the scene said, “I cant do it. Ive gotta go. ” They got triggered. So, we lost people. Aldis, what was it like for you to experience? HODGE: When you are strapped down on that bed, a lot runs through your mind. There was still a sense of safety for me because I know that Im only there for art and someone is gonna call, “Cut! ” As youre getting strapped in, you lay down and you cant help but experience and go through your mind to this place of anxiety. Im not claustrophobic, but theres an emotionally claustrophobic moment that happens because you realize this is true for somebody. The thing that stabilizes it, at least for me, in terms of how I deal with my craft, is that when I fervently believe in what it is that Im doing and why Im doing it, and I understand that theres purpose behind it, I wanna explore it to its fullest extent of brevity and honesty. So, if it has to get harder for the character, Im excited to go deeper with myself because of fact that somebody is gonna see it and hopefully be affected for the better, be changed for the better, and be inspired to do something. So, for me, if it ever got uncomfortable, mentally, I would always tell myself, “This is a great privilege for you to use your art and how you get to use your art. This is really an amazing opportunity. ” So, I was never emotionally exhausted by the experience. I was filled up, actually. I knew, in my mind, that if it looks this way, if they read my face this way, if they see Alfre this way, and if they see Richard this way, its gonna be something so effective. I just got more and more excited, the more difficult it got for the character. WOODARD: What I realized, right now, is that I feel so depleted. I am beyond exhaustion. Im in a state, and not just because Ive made 11 trips to New York since mid-September, but because whats been harder than doing it is the last two and a half months of being with people hen they see it and talking to them. Thats the hardest thing. As always, looking onto a situation is harder than going through a situation. HODGE: I concur. WOODARD: If youre running the 440, youre running it and everything is pumping, so your legs arent hurting and your muscles arent hurting. To talk to everything that is seeing it, theyre bringing their reaction and pain, and all of that, to it. HODGE: Im worn out, and its mostly because of fielding all of the energies from different peoples reactions to what this is and their responses. You cant process it all fast enough. At the same time that its great that people feel so much, and we really appreciate that and love that people are feeling something, it is a heavy tax to have to process all of that energy and that information. It does pull something out of you. WOODARD: Theyre coming at you so open, you cant just give them a rote thing. You have to actually take their pain and their distress. HODGE: And sometimes theyre looking for answers that are impossible to give. Its not that you leave them with nothing, but you leave them with an alternative. Its deep sometimes. Aldis, youve also done The Invisible Man. How much fun was it to do something like that? HODGE: That was fun. That was a fun set. It was my first time stepping into the thriller-esque and horror-esque genre. Thats such a classic monster story, which makes it even cooler. Image via Universal Pictures HODGE: Yeah. This one, Ill watch. I usually dont watch horror stories ‘cause I have an overactive imagination. When Im sitting at home by myself, Ive got a noisy building and I hear a whole bunch of stuff. But after a horror movie, youre like, “Hey, what was that. ” and its just the neighbors next door. So, when Im by myself, no. But Ill watch it with friends ‘cause, at the end of the day, Im like, “Look, if something comes, I can outrun you. Theyre gonna catch you before they catch me. ” But, this one was really fun. Leigh [Whannell] is a fantastic director. Hes got great energy. We had a great cast, with Storm Reid and Elisabeth Moss. It really was awesome. People are gonna go from being all up in their emotions with [ Clemency] to being scared to death with [ The Invisible Man. I dont know what Im doing to my audience. I apologize. Im sorry. And then, you have your Showtime TV series City on a Hill to balance that out with. HODGE: City on a Hill and Clemency are almost in the same vein of efficacy, or rather effective art. With City on a Hill, my character, throughout the first season, is an assistant district attorney whos relocated to Boston to find jail time for crooked cops. Thats something I firmly believe in, in my real life, because not all cops are there to actually be cops. I think it has a tinge of a message of social justice, as it is sewn through entertainment. People can sit there and enjoy it. Thats where the connectivity comes from with Clemency, which has real message about something thats honest, when it comes to reform that really does need to happen with capital punishment and the prison system. Its sewn through an entertaining piece, that I call a beautifully haunting masterpiece, where you get the facts, you get the honesty, and you get the raw nature of what the issue is. However, with Clemency, were not pushing an agenda, or judging your choice, either way. Were simply saying, “This is what it is. Now, how do you feel about it? ” Thats what I really like about the execution. People dont learn unless they choose to learn, and if you judge their state of being with something, it pushes them further away from learning. When you just present an issue, then you can decide something for yourself and come away with a new way of looking at it. A lot of our audience seems to come away from watching this film with a renewed sense of thought on the topic. Alfre, what was it like to do such a large scale, epic TV series like See, for Apple TV+ WOODARD: It was monstrous. We had 600 crew members, in the wilds of British Columbia. Every scene was outdoors, for seven months. We had a month of blindness training. On any given day, there were 150 actors when you said, “Action! ” They werent CGI. Everybody was there, getting made up and sitting in the cold and rain and mud. HODGE: Thats that Apple money! Image via Apple TV+ WOODARD: And we always had to be at least an hour and a half outside of civilization. Then, sometimes wed drive another half an hour, so wed be two hours out ‘cause you couldnt see anything modern, like no overhead lines, or anything like that. It was like going on an expedition. You didnt even make acting choices. You got on all your gear, and theyd say, “Okay, go up the waterfall. ” Youd have some lines to say, but all you were doing was just trying not to fall into the waterfall. I had put in the universe that I wanted something adventurous and I wanted something I didnt know how to do, but I forgot to tell the universe the location. I wanted the Caribbean. I cant do that wintery stuff. I had an acting teacher called Rose Schulman who always talked about body, face, eyes, so that when you receive something, your response happens in your body first, then it comes onto your face, and its out of the eyes. No matter what somebody says, you know what they mean by looking into their eyes. So, to not have your eyes, we all had to make it up. We spent that month trying to find our individual expression of how to act without using the mirror of the soul. How do you do that with your ears? How do you do that with other parts of your body? There was a learning curve on that. The task was, how do I communicate, when I so depend on my eyes on camera? And then, you get to go back and do it all again for Season 2. WOODARD: Im going back, as soon as it gets as cold as it can get. Im going in mid-January to Toronto, this time. It doesnt even have that Pacific current. HODGE: We start [ City on a Hill] back up, between Boston and New York, in January, as well. The winters are nothing nice. Clemency is now playing in theaters.
Movies, ‘Clemency Review: No Place for Mercy A tremendous Alfre Woodard plays a warden at a prison whose world is upended by the fate of death-row inmates. Credit. Paul Sarkis/Neon Published Dec. 25, 2019 Updated Dec. 26, 2019 Sometimes acting seems like possession. Thats how Alfre Woodards performance in “Clemency” feels as she violently sweeps you up with the force of her talent. It takes a while before you grasp how deep shes gone. As Bernadine Williams, a warden at a mens prison, Woodard enters with a stealthy lack of showiness. Shes playing the very model of a dispassionate overlord whether Bernadine is managing employees or asking a death-row inmate about his last meal, giving everyone the same exacting courtesy even if that semblance of composure has started to quietly crumble. The fissures arent fully visible when you first meet Bernadine, whose every word, gesture and expression seems to have been carefully calibrated to meet the unusual demands of her profession. Everything in her world is in its place, every hair has been managed, every response, too. At work, she sits at an orderly desk that looks too large for her, a wall of putty-colored filing cabinets looming behind her. Each cabinet holds untold numbers of documents that together form a monument of tragedy, a compendium of death and destruction, lost lives and grim pain. Working in a near hush that dovetails with the muted palette, the writer-director Chinonye Chukwu creates a persuasive, controlled, methodically coherent world for Bernadine. Shes at ease floating in her bubble of apparent calm, seemingly content to go with the flow as she relaxes at home with her husband (Wendell Pierce) or downs a drink or two at a bar. This pervasive tranquillity is strengthened by the harmonizing production design and cinematography that — with little clutter and deep shadows — give the different locations a similar look and vibe. Over time, scene by scene, these spaces blur together, locking Bernadine in claustrophobic sameness. She begins falling apart when an inmates execution by lethal injection is botched, an unspeakable, frenzied calamity that plays out under Bernadines close supervision. The bungled execution rattles the prison, but Bernadine initially seems more concerned with the investigation that it generates. Yet even as she briskly gets back to business, a near-imperceptible change seems to have occurred, affecting her like a slight drop in the barometric pressure. She has trouble sleeping, which doesnt seem unusual. But as she goes through the motions, she also seems increasingly detached from everyone and everything in her life, including her fretful husband. Chukwu escalates the stakes and deepens the drama with another prisoner, Anthony Woods (Aldis Hodge) a death-row inmate making his last appeal. Chukwus writing can sometimes be too on the nose, spelling out the already obvious, but for the most part she doesnt over-explain Anthony, whose despairing resignation and profound isolation Hodge fills in with a discreetly shutdown physicality and a gaze turned inward. Its an achingly moving performance thats shrewdly balanced by a small, heart-heavy turn from Richard Schiff as Anthonys lawyer, an anti-death row activist whose sagging affect suggests that hes spent a lifetime fighting a losing battle. As the clock on Anthonys most recent appeal runs out, Chukwu deepens the connections between warden and prisoner, putting the characters into play even when theyre apart. Both Bernadine and Anthony are captives of their worlds, legally, spiritually, morally. This sounds more simplistic and schematic than what plays out onscreen, where the vividness of the main performances tends to mitigate the scripted sins. Chukwu further complicates the story with a few other lesser characters, including some angry, grieving relatives and Anthonys old girlfriend (a very fine Danielle Brooks) who makes an unexpected if predictably disruptive appearance. Woodards performance gathers its astonishing force incrementally, in subtle choices and inflections that you might not even register as actorly decisions. When Bernadine first patrols the prison, you see a woman supremely in control, a professional whose casual authority informs her every gesture and whose absolute power has relaxed her posture, determined the rhythm of her gait, put an easy swing in her arms. That same power is what finally undoes Bernadine, a tragic figure whom Woodard brilliantly dismantles piece by ravaged piece, tearing apart a false front — and the larger institution this woman faithfully upheld — with unapologetic ferocity. Clemency Rated R for scenes of executions. Running time: 1 hour 53 minutes.
I was so lucky i didnt even watch this trailer; and watched this thing entirely blind. if youre and havent watched the trailer i would even advise not to.
Ben Skywalker/Kylo Ren & Natasha Romanoff huh? I'm gonna love this
Clemency free watch online. Happiness to every. That shes getting out. Matt Fagerholm December 27, 2019 “I am invisible, understand, because people refuse to see me. ” This excerpt from the prologue of Ralph Ellisons 1952 novel Invisible Man is mentioned during a seemingly inconsequential moment in Chinonye Chukwu s sophomore feature effort, “Clemency, ” yet its essence reverberates through every frame. 2019 has been filled with films about wrongly incarcerated men, from Destin Daniel Cretton s stirring fact-based drama, “ Just Mercy, ” to Terrence Malick s poetic meditation on righteous sacrifice, “ A Hidden Life, ” but none have gripped me quite like Chukwus masterwork. Though it deservedly earned the Grand Jury Prize at Sundance, this picture appears to have evaporated from voters memories, which is a crime since its leading lady, Alfre Woodard, is more deserving of Oscar contention than the majority of nominees selected by SAG and the Golden Globes. In many ways, “Clemency” makes a fitting double bill with Ava DuVernay s equally wrenching Netflix miniseries about the Central Park Five, “ When They See Us, ” a title echoing Ellisons aforementioned exploration of how our presumptions blind us to one anothers truth. Advertisement As prison warden Bernadine (Woodard) walks dutifully to work down a corridor during the opening moments of Chukwus film, a barred security door framed in the foreground slams shut behind her. Its one of numerous instances in the film where ace cinematographer Eric Branco makes Bernadine appear as incarcerated as the doomed men she councils. The disconnect that has grown between the warden and her husband, Anthony ( Wendell Pierce) causes him to dub her an empty shell, yet theres a sense that Bernadine has attempted to shield him from the demons that cause her to bolt upright in bed at night. He couldnt possibly understand the endurance test she undergoes at work, which is why it makes complete sense that Bernadine may have had an affair with her deputy warden, Thomas ( Richard Gunn. The film deftly hints at this without ever making anything explicit, wisely relying on Woodards phenomenal ability to convey what cannot be articulated. Watching how she informs Thomas, “Im having dinner with Jonathan, ” followed by a little smile and shrug, tells us everything we need to know about their characters past history together. Its clear that Bernadine desires to reclaim her wholeness, returning to the bliss she once had with her husband, but as she recoils from his touch, we realize that her soul remains locked in the prison even during her off-hours. “I am alone, and nobody can fix it, ” she explains to Jonathan before switching on the television, opting to blot out a surrounding reality ill-equipped to deal with her own. This is a trait she shares with Anthony (the brilliant Aldis Hodge, who recently played another innocent man wrongly accused in “ Brian Banks ”) a prisoner on death row perpetually perched on pins and needles while awaiting the governor to grant him clemency, a verdict that could potentially arrive just minutes prior to his scheduled execution. To maintain his sanity, Anthony embraces optimism at every turn, covering the walls of his cell with paintings of birds that embody the freedom he believes just might be within his grasp, while calling to mind such classics as “ To Kill a Mockingbird ” and “Birdman of Alcatraz. ” He talks over his estranged ex, Evette ( Danielle Brooks, in a shattering appearance) hushing her with assurances of forgiveness until she refuses to be silenced, explaining that she isnt sorry for keeping her distance in order to protect their son. Whereas Evette chose a life of “barely existing”—her own self-imposed imprisonment—she notes that Anthonys name will live on for generations. Though “Clemency” is ostensibly a work of fiction, its story was inspired by the 2011 execution of Troy Davis, a black man convicted of killing a police officer in Georgia, a charge that has been repeatedly disputed, considering there is enough evidence to cast significant doubt on his alleged guilt. Instead of following the formula of a procedural, Chukwu finds artfully subtle ways of feeding us information, such as when Anthonys lawyer, Marty ( Richard Schiff) is heard over Bernadines car radio, listing the various gaping holes in the case against his client. For much of the picture, Bernadine hovers amidst the proceedings like the Spectre of Death, treating Anthony with a grim formality when all he wants is a hand to hold. The unanswerable questions she directs toward him, such as what food hed like for his last meal or which family members would be willing to claim his body, render Anthony owl-eyed and utterly speechless. Only when making his final statement—a haunting speech modeled after the transcript of Davis last words—does he indirectly address Bernadine by praying, “For those about to take my life, may God have mercy on your souls. ” What follows is one of the most harrowing death scenes ever put on film, and what makes it extraordinary is the fact that we experience it solely through the expressions of Bernadine. As Marty tells Anthony during their final moments together, all any of us ever want to is to be seen and heard, and the crowds of protestors lining up daily to loudly condemn his clients fate provide undeniable proof that news of the injustice has spread throughout the world. Of course, this is little consolation for a prisoner forced to spend the majority of his days in silence and solitude, yet when Anthony is strapped to a crucifix-like chair and given his lethal injection, its as if his pain and anguish is injected directly into Bernadine. In a breathtaking three-minute shot on par with the finale of Céline Sciamma s “ Portrait of a Lady on Fire, ” the camera holds on Bernadines face as the primal horror of the procedure she has overseen for years finally sinks in, breaking through her hardened exterior until he flatlines, prompting her own body to go limp. For the first time, she finds herself at a loss for words, just as Anthony was during her feeble attempts at interaction. You can literally spot the moment when her soul appears to have left her body. This is screen acting of a very rare sort, and “Clemency” is a vital emotional powerhouse sorely deserving of being seen. Reveal Comments comments powered by.
Watch clemency free online. Clemency free watch now. The host introduces him as an expert and then tries to contradict him from her position of ignorance. Clemency Free watches. No upcoming screenings. Available No Tickets Available [ artDate, amDateFormat: dddd, MMMM Do" artDate, amDateFormat: h:mm A. You may not purchase more tickets at this time. About How do you salvage your marriage when you are struggling to salvage your soul, your sense of self, and your sense of right and wrong? Bernadine Williams (Alfre Woodard) is a prison warden who, over the years, has been drifting away from her husband while dutifully carrying out executions in a maximum security prison. When she strikes up a unique bond with death-row inmate Anthony Woods (Aldis Hodge) a layer of emotional skin is peeled back, forcing Bernadine to confront the complex—and often contradictory—relationship between good intentions, unrequited desires, and what it means to be sanctioned to kill. Clemency is an absorbing and penetrating character study that pulls into deep focus the various ways in which people facing impossible ethical circumstances strive to achieve some state of grace. Director Chinonye Chukwu crafts a dense, emotional film through masterful restraint and precision, drawing forth radiant performances that illuminate the internal grapplings of people searching for redemption and self-recognition. A rare, sensitive, and deeply observant prison drama, Clemency offers a fresh and meaningful contribution to the genre. YEAR 2019 CATEGORY U. S. Dramatic Competition COUNTRY U. A. RUN TIME 113 min COMPANY PARADIGM TALENT AGENCY EMAIL PHONE (310) 288-8000 Credits Director Chinonye Chukwu Screenwriter Producers Bronwyn Cornelius Julian Cautherley Peter Wong Timur Bekbosunov Co Producer Fiona Walsh Heinz Line Producer Marina Stabile Director Of Photography Eric Branco Editor Phyllis Housen Production Designer Margaux Rust Music By Kathryn Bostic Costume Designer Suzanne Barnes Casting Kerry Barden Paul Schnee Original Song Written & Performed By Laura Mvula Actor Alfre Woodard Aldis Hodge Richard Schiff Wendell Pierce Richard Gunn Danielle Brooks Artist Bio Chinonye Chukwu is a screenwriter and director. Clemency, her second feature film, won a place on the 2017 Athena List, a designation that recognizes excellent scripts featuring female protagonists. Chukwu has also received the prestigious Princess Grace Award Film Graduate Scholarship and Princeton Universitys Hodder Fellowship. Her debut feature film, Alaskaland, has screened globally and been released on several digital and video-on-demand platforms.
On April 23, 2014, former Deputy Attorney General James M. Cole announced the Department's initiative to encourage qualified federal inmates to petition to have their sentences commuted, or reduced, by the President of the United States. The program came to an end when President Obama left office on January 20, 2017. Under the initiative, the Department prioritized clemency applications from inmates who met most, if not all of the following factors: They are currently serving a federal sentence in prison and, by operation of law, likely would have received a substantially lower sentence if convicted of the same offense(s) today; They are non-violent, low-level offenders without significant ties to large scale criminal organizations, gangs or cartels; They have served at least 10 years of their prison sentence; They do not have a significant criminal history; They have demonstrated good conduct in prison; and They have no history of violence prior to or during their current term of imprisonment. Read more about who is qualified to apply for commutation under the new criteria. The Office of the Pardon Attorney ( PARDON' worked in conjunction with the Federal Bureau of Prisons (BOP) to facilitate the initiative. In addition, the Clemency Project 2014 (a non-government affiliated organization composed of the American Bar Association, the National Association of Criminal Defense Lawyers, the Federal Defenders, the American Civil Liberties Union, and Families Against Mandatory Minimums, as well as individuals active within those organizations and other lawyers wishing to participate in this volunteer effort) helped to quickly and effectively identify appropriate candidates for the initiative. On October 19, 2015, Clemency Project 2014 (CP2014) stopped accepting requests for the assistance of outside counsel through their organization. PARDON was notified that if applications were received by CP2014 prior to the cutoff date, they would review requests for assistance and connect those whose cases appear to meet the described Clemency Initiative criteria with Federal Defenders or volunteer attorneys trained in the sentence commutation process. However, if an inmate had not received a response from CP2014 and wanted to apply for commutation of sentence directly with PARDON, they were instructed to submit their application with or without the assistance of counsel. Inmates who appeared to meet the six criteria were offered the assistance of an experienced pro bono attorney through CP2014 in preparing his or her application for clemency. CP2014 was not an office, board, division, or component of the Department of Justice and was solely responsible for any recommendations and determinations of appropriate representation assignments through its organization. Public inquiries related to CP2014 or pro bono attorney assignments within the organization were directed to them via email to Inmates who applied for clemency pro se (representing one's self) were instructed to request that BOP staff submit their petition along with the required documentation from the inmate's central file to PARDON. An inmate who elected to be represented by counsel in filing for commutation was instructed to consult with his or her attorney instead of contacting PARDON on their own. OVERVIEW OF DOJS CLEMENCY INITIATIVE On April 23, 2014, the Department of Justice, at the behest of the President, announced the Clemency Initiative, inviting petitions for commutation of sentence from nonviolent offenders who, among other criteria, likely would have received substantially lower sentences if convicted of the same offenses today. As of January 19, 2017, the President granted commutation of sentence to a total of 1, 715 individuals. As expected, the announcement of the Clemency Initiative resulted in an influx of petitions far larger than that received during any previous Administration – including thousands of petitions involving crimes clearly not falling under the initiative, such as murder, terrorism, sex crimes, public corruption, and financial fraud. Notwithstanding a record number of overall petitions, the Department took steps to ensure that petitions submitted under the Clemency Initiative would be identified, prioritized, and sent to the White House during President Obamas tenure. To accomplish this, the Department streamlined its procedures and prioritized petitions from individuals convicted of drug trafficking offenses over the thousands of petitions involving other crimes for which sentencing law has not changed. At the end of August 2016, Deputy Attorney General Sally Q. Yates announced that the Department would review and provide a recommendation to the White House on every petition from a drug offender then in the Departments possession. 1 That number turned out to be approximately 6, 195 petitions. 2 In the four months after that date, the Department met that commitment by reviewing and providing a recommendation on all 6, 195 petitions, as well as many hundreds received after August 31, 2016, that were identified as particularly meritorious. In addition, the Department succeeded in reviewing all petitions submitted in drug cases by November 30, 2016, by inmates serving life sentences. During the Administration, through January 19, 2017, the Department made recommendations to the White House on approximately 16, 776 petitions received from drug offenders. Approximately 7, 881 commutation petitions remain pending in the Office of the Pardon Attorney as of January 19, 2017. Of those, approximately 4, 412 are from offenders convicted of crimes other than a drug crime, while approximately 3, 469 are from drug offenders but were received after August 31, 2016. 3 An additional 999 petitions were submitted from petitioners who have already been released from prison and seek a remission of fines or other relief, or are likely moot. Consistent with historic practice, these remaining petitions will be processed by the Office of the Pardon Attorney and addressed by future Administrations. Total Petitions Pending in the Office of the Pardon Attorney as of January 19, 2017 (Estimates) Pending Petitions from Drug Offenders Received Before or Mailed By 08/31/16 0 Pending Petitions from Drug Offenders Received After 08/31/16 3, 469 Pending Petitions from Non-Drug Offenders (Murder, Terrorism, Sex Offenses, Fraud, etc. – All Pending 4, 412 Total Pending Petitions 7, 881 1 In March 2016, as the two-year anniversary of the announcement of the Initiative approached, the Pardon Attorney advised interested parties that time was of the essence to assure time for complete consideration of all petitions during the Administration, and suggested that unless petitions were submitted very soon full consideration could not be assured. 2 The total number of drug petitions pending as of August 31, 2016, was determined by cross-checking the records of the Office of the Pardon Attorney and the Federal Bureau of Prisons. Given differences in how the two agencies keep records, this number is approximate and may be subject to change. 3 The Office of the Pardon Attorney applied a “grace period” and considered all petitions received by mail by September 15, 2016, to assure that all petitions mailed in August were considered. Important Links About the Office of the Pardon Attorney English, Spanish Information and Instructions on Commutations and Remissions Privacy Statement for Commutation of Sentence Commutation Application Rules Governing Petitions for Executive Clemency.
That's Nick from Survivor The Australian Outback. Cyntoia Brown, a Tennessee woman who was convicted as a teenager of killing a man while she said she was a sex trafficking victim, was granted clemency Monday by Gov. Bill Haslam. Brown was granted a full commutation to parole. She will be eligible for release on Aug. 7 after serving 15 years in prison and will remain on parole for 10 years. Haslam, a Republican, said the decision comes after careful consideration of "what is a tragic and complex case. Cyntoia Brown committed, by her own admission, a horrific crime at the age of 16. Haslam said in a statement. "Yet, imposing a life sentence on a juvenile that would require her to serve at least 51 years before even being eligible for parole consideration is too harsh, especially in light of the extraordinary steps Ms. Brown has taken to rebuild her life. Haslam added: “Transformation should be accompanied by hope. Brown thanked the governor and her supporters in a statement released Monday by her attorneys. "Thank you, Governor Haslam, for your act of mercy in giving me a second chance. Brown said. "I will do everything I can to justify your faith in me. Brown said she is grateful for the support, prayers, and encouragement she has received, including from Tennessee Department of Corrections officials. Her case inspired a 2011 documentary titled "Me Facing Life: The Cyntoia Brown Story" that thrust her into the spotlight. The Morning Rundown Get a head start on the morning's top stories. Browns attorneys told NBC News they met with Haslam ahead of his decision, which they said is rare in a case like hers. “I would have to say the strongest persuasive point with him was the remarkable rehabilitation record she showed, ” attorney Edward Yarbrough said after the governors announcement. “Very few people are able to retain that. Some are good in school. Some could have good behavior. Some are able to help in the prison and help other people. ” He said Brown has the rare combination of all those things. Joseph Walker, senior pastor at Nashvilles Mt. Zion Baptist Church, told NBC News he provided spiritual counsel to both Brown and Haslam. He said he met with Brown just before Christmas at the Tennessee Prison for Women and spoke with the governor by phone two weeks later. "I felt so passionately about this case. Walker said. "It was a way to raise the conversation on restorative justice. The pastor said he and Haslam discussed what the decision could mean "from a moral perspective. He said he respected my opinion. Walker said. Brown's attorneys said they were notified last week that she would be granted clemency. She learned of the decision early Monday morning, Walker said, adding that she was "jubilant. Brown, now 30, was tried as an adult in 2006, convicted and given a life sentence for the death of Johnny Mitchell Allen, who paid Brown for sex. She was also convicted of aggravated robbery. Brown previously said that she had feared for her life and pulled a gun from her purse and shot Allen, 43, while in bed with him because she believed he was reaching for a gun. Prosecutors argued the motive was robbery. At the time, Brown was a runaway and living with her 24-year-old boyfriend, a pimp known as “Kut Throat, ” who Brown said raped her and forced her into prostitution. Last month, the Tennessee Supreme Court ruled Brown must serve 51 years in jail before she is eligible for release. The ruling sparked outrage online among Browns supporters, including lawmakers and many celebrities who have called for her release. More than half a million people have signed petitions for Brown's freedom online and a slew of celebrities including LeBron James, Rihanna, Kim Kardashian West, Meek Mill and Amy Schumer have rallied for her release on social media with the hashtag #freecyntoiabrown. Rihanna was among the first celebrities to weigh in on Brown's case in a November 2017 Instagram post that helped highlight the need for criminal justice reform. While in prison, Brown has earned a GED and an associate degree through the Lipscomb Initiative for Education Program with a 4. 0 GPA, Haslam said. She is scheduled to earn her bachelor's degree in May. Brown said Monday she is committed to live the rest of her life helping others, especially young people. "My hope is to help other young girls avoid ending up where I have been. she said.
Great actress, and still beautiful features and lips at 67! Perfect skin! Wow.
I could be high but I think John Henry is the dumbest thing I've ever seen
Clemency Free watch now.